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Answers to Fathers of Nation Excerpt 5

Below are the answers to fathers of nations excerpt 5

 Excerpt 5 Answers to Fathers of Nations

fathers-of-nations-excerpt-5-answers

a.       Before

After Asiya drops a bombshell on him, Professor Kimani engages in an interior monologue. Kimani's vehicle is again down, and the daughter cannot get a ride as anticipated. This angers Asiya, who hints to Kimani about the reason behind his inability to get a greener pasture as newborn.

After

The onlookers continue to contemplate a better alternative to save Tuni. Attempts to pull off the trailer from the bus fail. A male giant comes out of nowhere to help, but the minibus collapses under the weight of the trailer.

b).  i) The man

Brave

He tries to get Tuni out ofthe bus when everyone else is struggling to save themselves.

ii) Onlookers

Afraid

We are told every time the trailer fell back down on the minibus, the onlookers closed their eyes in fear.

iii) The drivers

Thoughtful

They ran away to avoid mob justice. The divers know the mob would not have spared them for their recklessness.

c) Asiya blames Kimani for the death of Tuni. Before Tuni embarks on the journey that leads to her death, she asks her father whether she can use her father's car for her journey. However, Kimani says the car is down once again. This stirs anger in Asiya, who erupts, comparing her husband to Newborn, who had left the teaching profession to join, and now owns four vehicles. On this premise, Asiya bases her allegations on Kimani's failure to seek greener pastures to Tuni's death.

d) It brings out the minor characters' contribution to driving forward the tension in the novel. The onlookers question one another regarding what needs to be done to save Tuni from the misfortune, almost squeezing her breath out. "A heavy trailer sits on her minibus, so how can she be fine?" The onlookers contemplate a way out of the situation.

e) Personification

In the conversation of the onlookers, sitting on her minibus, so how can she be fine?" This makes the inanimate object 'trailer' take up life and become realistic, making sense to the mind a sense of realism.

f) It was ten o'clock in the morning.

g) i) To look at something or someone

in a stupid or rude way.

ii) Extremely interested, hypnotised, and mesmerised by something or someone.

iii) Awake, aware of what is happening

around you, and able to think. 

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